12 April 2007 – 15 July 2007

Inner landscape - José Pedro Croft

In this installation, commissioned by the Museum to commemorate the fiftieth anniversary of the Foundation, the visitor’s body is confronted with objects whose spatial design takes the form of metallic structures bearing glass and mirrors. The strict geometrical forms generate uncertainties through the disconnection between spaces and the mobility of the reflected images, conveying the fleeting sensation that existence is by its nature circumstantial and ephemeral. The designed pieces stand out on the basis of the abstract geometry of their forms and the technical coldness of their materials, while constantly quoting the Museum as a building, the mechanisms by which objects are exhibited and the particular charisma of the Collection.

Address

Museu Calouste Gulbenkian
Av. de Berna, 45A
1067-001 Lisboa
phone +35 1 217 82 34 69
http://www.museu.gulbenkian.pt

Opening Hours

Tuesday to Sunday, 10 a.m. to 5.45 p.m., closed on Monday and on the following holidays:
January 1, Easter Sunday, May 1,
and December 25

Description of the Museum

The permanent exhibition galleries are distributed in chronological and geographical order to create two independent circuits within the overall tour.
The first circuit highlights Oriental and Classical Art on display in the Egyptian, Greco-Roman, Mesopotamian, Eastern Islamic, Armenian and Far Eastern Art. The second covers European Art with sections dedicated to the Art of the Book, Sculpture, Painting and the Decorative Arts particularly 18th century French art and the work of René Lalique.
In this circuit a wide-ranging number of pieces reflect various European artistic trends from the beginning of the 11th century to the mid-20th century.
The section begins with work in ivory and illuminated manuscript books, followed by a selection of 15th, 16th and 17th century sculptures and paintings. Renaissance art produced in Flanders, France and Italy is on display in the next room. French 18th century decorative arts have a special place in the museum with outstanding gold and silver objects and furniture, as well as paintings and sculptures. These decorative arts are followed by galleries exhibiting a group of paintings by the Venetian Francesco Guardi, 18th and 19th century English paintings, and finally a superb collection of jewels and glass by René Lalique, displayed in its own room.

Within 10 days
starting exhibitions
ending exhibitions